{"id":6,"date":"2016-06-23T21:25:57","date_gmt":"2016-06-23T19:25:57","guid":{"rendered":"http:\/\/ilariocaliendo.com\/?page_id=6"},"modified":"2020-11-03T19:15:31","modified_gmt":"2020-11-03T18:15:31","slug":"cv-press","status":"publish","type":"page","link":"http:\/\/ilariocaliendo.com\/index.php\/cv-press\/","title":{"rendered":"CV &#038; Press"},"content":{"rendered":"<h2><strong>Ilario Caliendo<\/strong><\/h2>\n<p><a href=\"http:\/\/ilariocaliendo.com\/\">ilariocaliendo.com<\/a><br \/>\n<strong>email<\/strong> <a href=\"mailto:ilariocaliendo@gmail.com\">ilariocaliendo@gmail.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\">Artist statement<\/span><\/h4>\n<p>Ilario Caliendo cerca di analizzare le stranezze e le fobie della vita sociale contemporanea, con un occhio di riguardo all\u2019abuso della rete e alla dipendenza dai social media.<br \/>\nI suoi lavori indagano in vari settori quali il copyright, nuove forme artistiche, il trash, peculiarit\u00e0 e allucinazioni visive. Il suo approccio richiama l\u2019atteggiamento poetico e attivista dell\u2019hacker tradizionale e usa l\u2019ironia come mezzo di riflessione.<\/p>\n<p class=\"text-justify\" style=\"text-align: justify;\">Ilario Caliendo tries to analyze the quirks and phobias of contemporary social life, with an \u2018eye to the abuse of the network and the addiction on social media.<br \/>\nHis works investigate various areas such as copyright, new art forms, trash, strange things and visual hallucinations.<br \/>\nHis approach recalls the poetic and activist hacker traditional attitude using irony as a means of reflection.<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\">COMPLETE CV<\/span><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>Education<\/b><\/span><\/h4>\n<ul>\n<li>2016&nbsp;<b>M.A. \u2013&nbsp;<\/b><strong>Academy of Fine Arts in Carrara<\/strong>.<b>&nbsp;<\/b>Net Art (Laurea Magistrale), Italy.<b>&nbsp;<\/b><\/li>\n<li>2013&nbsp;<b>B.A. \u2013&nbsp;<\/b><strong>Academy of Fine Arts in Carrara<\/strong>.<b>&nbsp;<\/b>Fine Art (Laurea Triennale), Italy.<b>&nbsp;<\/b><\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>Solo Show<\/b><\/span><\/h4>\n<p>2020<\/p>\n<ul>\n<li><strong>Manuale per l&#8217;uomo rispettoso, Solo Show<\/strong>, <i>Galleria Moitre<\/i>, <i>Turin<\/i>, Italy<\/li>\n<\/ul>\n<p>2019<\/p>\n<ul>\n<li><strong>Comfort Zone, Solo Show<\/strong>, <em>Tek\u00e9 Gallery<\/em>, <i>Carrara<\/i>, Italy<\/li>\n<\/ul>\n<p>2018<\/p>\n<ul>\n<li><strong>La Stesa, Solo Show<\/strong>,&nbsp;<em>Caff\u00e8 Internazionale<\/em>,&nbsp;<em>Palermo<\/em>, Italy<\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>(Selected)Exhibitions and Festivals<\/b><\/span><\/h4>\n<p>2020<\/p>\n<ul>\n<li><b><a href=\"https:\/\/spazioy.com\/category\/basic-necessities\/\">Basic Necessities<\/a>,&nbsp;<\/b>Open<b>&nbsp;<\/b>call by&nbsp; Spazio Y, Rome, Italy<\/li>\n<\/ul>\n<ul>\n<li><b><a href=\"https:\/\/youtu.be\/5vEU1LMqWbw?t=1475\">#DomaniInArte<\/a>,&nbsp;<\/b>Open<b>&nbsp;<\/b>call by&nbsp;&nbsp;The National Gallery of Modern Art (also GNAM), Rome, Italy<\/li>\n<\/ul>\n<ul>\n<li><b>Square Project, <\/b>Open<b>&nbsp;<\/b>call by Balloon project<\/li>\n<\/ul>\n<ul>\n<li><strong><a href=\"http:\/\/art-mutation.online\/\">Art Mutation<\/a>, <\/strong>Online art campaign by&nbsp;anna.laclaque<\/li>\n<\/ul>\n<p>2018<\/p>\n<ul>\n<li><strong>Final Exhibition, Premio Combat Prize 2018<\/strong>, <em>Museo Civico Giovanni Fattori<\/em>,&nbsp;<em>Livorno<\/em>, Italy<\/li>\n<\/ul>\n<ul>\n<li><strong>Quaderni di Viaggio 2018, Camera Work 2018 &#8211; Circuito Off<\/strong>, <em>Ravenna<\/em>, Italy<\/li>\n<\/ul>\n<ul>\n<li><strong>Self-Discharge<\/strong>, <em>Lucca<\/em>, Italy<\/li>\n<\/ul>\n<p>2017<\/p>\n<ul>\n<li><strong>SetUp, Contemporary Art Fair<\/strong>, <strong>gallery<\/strong>&nbsp;<strong>spaghettiparty.it<\/strong>, curated by Stefano Monti, <em>Bologna<\/em>, Italy<\/li>\n<\/ul>\n<ul>\n<li><strong>Quartiere <em>rizomatico<\/em><\/strong>, <strong>Group Show<\/strong>, <strong>Cantieri Aperti<\/strong>, &nbsp;curated by Daria Filardo, <em>Massa<\/em>, Italy<\/li>\n<\/ul>\n<p>2016<\/p>\n<ul>\n<li><strong>MozEx, Mozilla Festival<\/strong>, curated by TATE and V&amp;A, <em>London<\/em>, England<\/li>\n<\/ul>\n<ul>\n<li><strong>Kodra Fresh 2016<\/strong>, curated by Georgia Kourkounaki and Gianna Kali, <em>Kalamaria<\/em>, Greece<\/li>\n<\/ul>\n<ul>\n<li><strong>Final Exhibition<\/strong>,&nbsp;<strong>Art Laguna Prize<\/strong>, curated by Igor Zanti, <em>Nappe Arsenale<\/em>, Venice<\/li>\n<\/ul>\n<p><b><\/b>2015<\/p>\n<ul>\n<li>(O<em>nline Exhibition<\/em>)<strong> THE WRONG, New Digital Art Biennale<\/strong>, <em>Homeostasis&nbsp;<\/em><i>Pavilion<\/i>, curated by&nbsp;Julia Borges Ara\u00f1a and&nbsp;Guilherme Brand\u00e3o<\/li>\n<\/ul>\n<ul>\n<li><strong>Diminished Reality<\/strong>, curated by&nbsp;Domenico Scudero,&nbsp;<em>I Salotti<\/em>, Carrara<\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>(Selected)Prize<\/b><\/span><\/h4>\n<p><b><\/b>2018<\/p>\n<ul>\n<li><strong>Premio Ora<\/strong>, curated by Rossella Farinotti<\/li>\n<\/ul>\n<ul>\n<li><strong>Premio Combat Prize<\/strong>, Walter Guadagnini, Stefano Taddei, Lorenzo Balbi, Francesca Baboni, Federica Chiocchetti, Andrea Bruciati.<\/li>\n<\/ul>\n<p><b><\/b>2016<\/p>\n<ul>\n<li><strong>Art Laguna Prize<\/strong>, curated by Igor Zanti, <em>Nappe Arsenale<\/em>, Venice<\/li>\n<\/ul>\n<p><b><\/b>2015<\/p>\n<ul>\n<li><strong>Contest Net Art Microgrants<\/strong>, curated by Rihzome<\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>Publications<\/b><\/span><\/h4>\n<p>2020<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.balloonproject.it\/wp-content\/uploads\/2020\/06\/SQUARE-BOOK-1.pdf\">Square Project: il libro<\/a><\/strong><\/li>\n<\/ul>\n<p>2018<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiocombat.it\/catalogo\"><strong>Premio Combat Prize 2018<\/strong><\/a><\/li>\n<\/ul>\n<p>2016<\/p>\n<ul>\n<li><a href=\"http:\/\/www.premioartelaguna.it\/images\/10_Premio_Arte_Laguna_Catalogo.pdf\"><strong>Art Laguna Prize 10th<\/strong><\/a><\/li>\n<\/ul>\n<ul>\n<li><a href=\"https:\/\/issuu.com\/mozfest\/docs\/mozex\"><strong>Mozilla Festival 2016<\/strong><\/a><\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>Interviews<\/b><\/span><\/h4>\n<p><b><\/b>2019<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.salto.nl\/player\/onda-italiana\/7DVYU4Paxi62YaecwIGsEE\/\" target=\"_blank\" rel=\"noopener noreferrer\">Radio Onda Italiana<\/a>&nbsp;(Radio of&nbsp;<em>Amsterdam &#8211; NL)<\/em><\/strong><\/li>\n<\/ul>\n<p><b><\/b>2015<\/p>\n<ul>\n<li><a href=\"https:\/\/issuu.com\/artrevealmagazine\/docs\/art_reveal_magazine_no.6\/1?e=0\/13993120\"><strong>Art Reveal Magazine no. 6<\/strong><\/a><\/li>\n<\/ul>\n<h4 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><b>Press articles<\/b><\/span><\/h4>\n<p>2020<\/p>\n<ul>\n<li><strong><a href=\"http:\/\/ilariocaliendo.com\/wp-content\/uploads\/2020\/06\/CamScanner-06-17-2020-09.50.39_1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">La Stampa &#8211; 17\/06\/2020<\/a>&nbsp;<\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.lastampa.it\/torinosette\/eventi\/2020\/03\/06\/news\/giulio-alvigni-e-ilario-caliendo-alla-galleria-moitre-527837\" target=\"_blank\" rel=\"noopener noreferrer\">La Stampa (Torino Sette) &#8211; 06\/03\/2020<\/a>&nbsp;<\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.artribune.com\/mostre-evento-arte\/giulio-alvigini-ilario-caliendo\/\" target=\"_blank\" rel=\"noopener noreferrer\">Artribune (Online) 06\/03\/2020<\/a><\/strong><\/li>\n<\/ul>\n<p>2019<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/iltirreno.gelocal.it\/massa\/cronaca\/2019\/06\/24\/news\/al-cinema-sulla-scalinata-riparte-la-stagione-baluardo-1.35628686\" target=\"_blank\" rel=\"noopener noreferrer\">Il Tirreno 25\/06\/2019<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/iltirreno.gelocal.it\/massa\/cronaca\/2019\/03\/30\/news\/arte-cioccolato-e-solidarieta-ecco-ovoquadro-1.30146570\" target=\"_blank\" rel=\"noopener noreferrer\">Il Tirreno 30\/03\/2019<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.artribune.com\/mostre-evento-arte\/ilario-caliendo-comfort-zone\/\">Artribune (Online) 06\/02\/2019<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.lagazzettadimassaecarrara.it\/cultura\/2019\/02\/tra-performance-art-e-denuncia-sociale-esordio-strepitoso-della-mostra-di-ilario-caliendo\/\">La Gazzetta di Massa Carrara 10\/02\/2019<\/a><\/strong><\/li>\n<\/ul>\n<p><b><\/b>2016<\/p>\n<ul>\n<li><a href=\"http:\/\/www.artrevealmagazine.com\/across-portrait-by-ilario-caliendo\/\"><strong>Art Reveal Magazine(Online)<\/strong> 26\/04\/2016<\/a><\/li>\n<\/ul>\n<p><b><\/b>2015<\/p>\n<ul>\n<li><a href=\"http:\/\/www.artrevealmagazine.com\/ilario-caliendo\/\"><strong>Art Reveal Magazine (Online)<\/strong> 23\/06\/2015<\/a><\/li>\n<\/ul>\n<ul>\n<li><a href=\"https:\/\/www.facebook.com\/artribune\/posts\/827376210665457\"><strong>Artribune (Online)<\/strong> 18\/03\/2015<\/a><\/li>\n<\/ul>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 283px; top: 1112.47px;\">&nbsp;<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ilario Caliendo ilariocaliendo.com email ilariocaliendo@gmail.com &nbsp; Artist statement Ilario Caliendo cerca di analizzare le stranezze e le fobie della vita sociale contemporanea, con un occhio di riguardo all\u2019abuso della rete e alla dipendenza dai social media. I suoi lavori indagano in vari settori quali il copyright, nuove forme artistiche, il trash, peculiarit\u00e0 e allucinazioni visive. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"_themeisle_gutenberg_block_has_review":false},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/pages\/6"}],"collection":[{"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":43,"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":392,"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/pages\/6\/revisions\/392"}],"wp:attachment":[{"href":"http:\/\/ilariocaliendo.com\/index.php\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}